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ReviewGitar Gibson Les Paul Faded T Trusted Review #13_____Guitar: Gibson Les Paul Faded TRecording: Mic Shure SM57Amplifier: Fender Bassbreaker 007P
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Schön Dass Wir Dich Kennenlernen Durften. Will Gibson’s newest Les Paul stand up to our strict standards? Cost $ find yours on or Sweetwater and learn more on Overview & Final Score Well the day has finally come where Gibson has sent me a guitar to review. Quick personal tangent, this guitar really makes me feel like I “made it” in the guitar review world. Nevertheless, Gibson’s rise in 2020 started on the back of the Epiphone re-launch and continues here with the new 2020 line of USA models. Gibson’s Les Paul Studio 2020 is powered by coil tapped 490R and 498T humbuckers with otherwise standard wiring configuration 2 tone, 2 volume, 3-way selector. The Mahogany body is even weight relieved beneath the figured Maple top, making it a real comfortable departure from heavy LP’s of the past. The Mahogany neck features a return to Rosewood fretboards yes! and 22 medium jumbo frets. The neck shape is a slim taper, that still feels like a classic Gibson, just with a bit more utility and comfort than your vintage baseball bat. I fortunately received one featuring the gorgeous “Smokehouse Burst” finish featuring gloss nitrocellulose lacquer. This LP Studio sports Grover Rotomatic tuners, Gibson’s Nashville tune-o-matic and stop bar tailpiece, and a lovely soft shell case as well. Sound 9 No surprise here, it sounds like a Gibson Les Paul and I mean that as a compliment! The neck pickup is creamy, bluesy, and has all that warm goodness we’ve come to associate with Gibson. While it is no ’59 burst, these LP Studio guitars really sound like the real deal, even though they are the more affordable end of Gibson USA. While this guitar is weight relieved, I didn’t really feel any loss of sustain or resonance compared to other, full weight Gibson’s I’ve played. The bridge is obviously more bright and aggressive, and in my opinion provides the real Gibson tone that I’ve always loved and tried to emulate. Huge, classic tones pour out easily from Led Zeppelin to The Clash and everything in between. Gibson seems to have rightfully prioritized a return to the vintage blues and rock basis that made the brand famous. This guitar is perfect for the sounds you expect to get from it, and honestly had a few atmospheric licks up its sleeve. However, it definitely isn’t the most versatile guitar for maybe clean Jazz sounds or rhythmic chiming sounds. But if you’re buying a Les Paul Studio from Gibson you probably know what you’re getting and will not be disappointed! Oh and the in-between setting on the 3-way selector switch was maybe the best I’ve ever heard from a Les Paul. I usually strictly avoid that setting but it was a real charm here. Lastly I want to speak about the coil cuts. It is a really great feature that they’ve included here as it certainly makes the Studio a bit more versatile, but they weren’t the most impressive. The neck one sounded far more “coil split”-like than the bridge one. In fact, I could barely tell the bridge cut was anything more than a volume reduction. Not a major problem, but just something to think about and maybe I just got a dud. Playability 8 Les Pauls have not always won me over because of their feel and Gibson has a well recorded history of quality control and tuning stability issues. However, this guitar has far superior tuning stability to my 2011 Gibson Les Paul. I was really happy to see this and I assume it is because they’ve put more effort into perfecting the nut and how it is cut on each model. Furthermore, the G string still goes out of tune fairly often, which is just a known and respected flaw in Les Paul construction. This isn’t ideal, but I can certainly live with it in return for the huge upgrade in playability on my older Les Paul. The action was great out of the box, and I really liked the feel of the slim taper neck. It sat comfortably in my hands, with some of that baseball bat chunkiness as you move around the neck. Finish & Construction 9 This is where Gibson is really making me happy in 2020. This Les Paul Studio is just built so much better than some of the 2010’s Gibson guitars that I’ve played and owned. The fretwork was great, the finish was spotless, the nut was cut correctly. Everything seems to be pointing towards increased quality control coming out of Gibson. Their PR faults aside, this certainly made me think that Gibson is on its way back to the top of the guitar world. Even if the guitar is far from the perfection of higher end Gibson models, it feels so good to get an off the shelf, relatively affordable Les Paul with a Gibson logo that feels great. The lightweight construction also should appeal to many players like myself who prefer to swing a light Fender guitar around the stage. Smokehouse Burst is also just such a beautiful finish, with more depth and nuance to the color than I’ve seen on older burst models. I’ve been super critical of Gibson but they earned praise with this one. Value To be fair, there are some many great Les Paul guitars out there for less than the price of a Gibson. That Howl Sirena 3 I reviewed is one of them. However, I’m ultimately impressed with how Gibson seems to have put the attention to detail back into these lower priced Studios. While Les Paul studios have typically been the biggest offenders during Gibson’s leaner years, they got this one right. Overall you can get a real Gibson Les Paul with only a few minor, modern upgrades, for under $1500. That’s a win for everyone who can’t afford Customs, reissues, or vintage Gibson’s. Sometimes the name on the headstock does matter and if that is the case for you, Gibson has worked towards winning you back with this 2020 Les Paul Studio. Good for Blues, Classic Rock, High Gain, Players Looking For Lightweight Les Paul, Versatile Players
Gibson’s back-to-basics approach has seen the rejuvenated company streamline its electric-guitar catalogue and carve it up into three distinct ranges. The Original Collection and Custom Shop are the primary destinations for purists looking for vintage-style looks and specifications, while the Modern Collection is where you’ll find a mixture of the stripped down and souped pretty at the top of the heap in the Modern Collection is the Les Paul Modern. During Henry Juszkiewicz’s reign, this model would probably have been called the 2020 Les Paul Standard – it certainly inherits a few features from some of Gibson’s more experimental riffs on the Standard’ chief alterations to the classic recipe are an Ultra-Modern’ weight relief pattern, a slim-taper neck with an asymmetrical profile and contoured heel, a 10- to 16-inch compound radius ebony fingerboard with binding but no nibs, locking Grover Rotomatics and an aluminium Nashville Tune-o-matic bridge that’s secured in threaded inserts rather than screwed straight into the binding is bright white and the hardware a mirror-like chrome, while the mildly futuristic clear top-hat knobs provide access to a quartet of push/pull potentiometers hard-wired to an internal either of the Burstbucker Pros’ volume controls into the up position puts the corresponding pickup into single-coil mode. The neck pickup’s tone control is where you’ll also find phase switching, while the bridge pickup’s tone control activates a pure bypass’ that routes straight to the bridge humbucker with the tone control removed from the the brown-stained neck and back has the kind of hue you’d have found on Goldtops of yesteryear, the Les Paul Modern is offered with a trio of eye-catching metallic tops Faded Pelham Blue, Graphite and Sparkling Burgundy, with the latter featuring on our review guitar. Aside from a few areas of slight bleed into the white binding, the finishing looks sharp, without a hint of orange peel’ – and the deep, blood-red top really pops when framed by the binding and useModern it may be, but this Les Paul isn’t so radical a rewrite that it feels in any way alien. In fact, played acoustically, the formula is very familiar. Although its mahogany body is heavily chambered, this guitar is still reassuringly substantial, with a smooth and balanced unplugged voice and no shortage of sustain above the 12th fret. The body thickness may be 10mm shallower than usual behind the contoured heel, but it doesn’t seem to have a negative sonic asymmetric neck carve is subtle but effective. The slightly more rounded bass side and skinnier treble-side taper combine with the compound-radius fingerboard to offer a smooth, comfortable ride, but it’s definitely not a modern shred profile – relatively small medium-jumbo frets serve to keep things firmly in the classic’ ballpark and may alienate more technical said, it’s one of those guitars that encourages the more stoic among us to be a little more daring. Although there’s still a fair bit of mass to negotiate – this isn’t an SG, after all – when you get to those upper registers, the slinkier heel area makes soloing above the 17th fret considerably easier than on a traditionally constructed LP with the full-fat humbucker tones, we’re greeted with plenty of treble, clarity, dynamic range and articulation – gone are the days when a new Gibson neck pickup is likely to sport a woolly blanket. With a clean tone and spring reverb, it’s easy to get lost in a seriously expressive pool of tones that remind you there’s so much more to these guitars than hard rock. While original PAFs, Patent Number humbuckers and expensive PAF clones might get closer to the sonic high-water mark of the golden era, Gibson’s pickups have made significant strides in the right direction of is keen to describe the LP Modern’s single-coil voices as having P-90 characteristics, so we pull up the volume pots to see how close they get. Unlike many coil-split circuits, there’s no significant drop in level when switching from full humbucking mode, so that’s a good start. The treble softens and you do hear some of the wiriness, chewy midrange and nasal single-note tones that characterise Gibson’s iconic single-coil. The LP Modern isn’t going to fool anyone in a blind comparison with an old P-90 Goldtop or Special, but the single-coil voices here provide some interesting colours in their own right and respond particularly well to gain. We can imagine them being a real boon for your function-band neck pickup’s phase switch, on the other hand, does result in a big drop in output – but it hollows things out nicely for percussive funk and scratchy special effect’ lead tones. Flip to the pure bypass mode, however, and it’s the other end of the spectrum entirely. The additional kick and upper harmonic presence it brings to the bridge humbucker is tailor made for those big rock riffs and show-stopping Les Paul Modern might not have the romantic allure of a heavily aged Burst reissue or even a flamey Standard, but it’s a seriously versatile performance tool. With no built-in effects or Robot Tuners in sight, it feels like a contemporary take on a classic design rather than a gimmick and it retains enough essential Les Paul DNA to keep a high proportion of Lester fans FeaturesPRICE £2,299 inc. hard caseDESCRIPTION Solidbody electric guitar. Made in USABUILD Weight-relieved mahogany body with carved maple top, mahogany set neck with asymmetrical slim taper and modern contoured heel, 10-16” compound-radius ebony fingerboard with mother of pearl trapezoid inlays, 22 medium-jumbo frets, Graph Tech nutHARDWARE Chrome-finished aluminium Nashville Tune-o-matic bridge and stop tailpiece, Grover locking Rotomatic tuners with keystone buttonsELECTRICS Burstbucker Pro rhythm and Burstbucker Pro+ lead humbucking pickups with 3-way toggle pickup selector switch, 2x push/pull volume coil-split and 2x push/pull tone phase, pure bypassSCALE LENGTH WIDTH at nut, at 12th fretNECK DEPTH at first fret, at 12th fretSTRING SPACING at nut, at bridgeWEIGHT Gloss nitrocellulose Sparkling Burgundy as reviewed, Graphite, Faded Pelham BlueCONTACT Gibson Like this? Try theseChapman Guitars V2 ML2 Modern Standard £499, Gretsch G6228 Players Edition Jet BT £1,979, Nik Huber Orca ’59 £7,250
Home Features Image credit Future The Gibson Les Paul - the guitar, the myth, the legend. This genuinely iconic electric guitar has had a rather large hand in shaping rock 'n' roll ever since it was released way back in 1952. Many of the biggest axe-wielding stars from Slash and Gary Moore to Billy Gibbons and Jimmy Page have opted to make this single-cut beauty their number one guitar and, as a result, have firmly cemented Les Paul's place in music history. With the Les Paul being so popular for so long, it would stand to reason that there's a myriad of different options available. We know this can get a little confusing. That’s why we've put together this handy guide to the best Les Pauls you can buy right now, at various price points. We have also listed them in order of series, from the budget-friendly Epiphone to the high-end Murphy Labs custom shop model, to make it a little easier to navigate. We know that the guitar marketplace is awash with incredibly well-built single-cut guitars, from the likes of PRS, Heritage, and ESP, to name a few. Still, we’re solely focussing on Gibson/Epiphone for this article. So, with that being said, let’s dive into our Gibson Les Paul buyer’s guide right now. Best Gibson Les Pauls Our top picksIt's hard not to recommend every Les Paul, but it would undoubtedly be the Gibson Les Paul Standard '60s if we have to pick just one. This is the flagship offering from Gibson, and it's hard to beat. It looks stunning, plays like a dream, and most importantly, sounds killer. For the financially savvy, we recommend checking out the Gibson Les Paul Special Tribute Humbucker. This stripped-back, no-nonsense guitar may not have all the bells and whistles of the Standard but has bags of attitude and a sound to Gibson Les Pauls Product Guide Image credit Epiphone 1. Epiphone Les Paul 50s StandardThe ideal option for beginners or the budget-consciousSpecificationsBody Mahogany/ Maple VeneerNeck MahoganyScale Indian LaurelFrets 22 Medium JumboPickups Epiphone ProBucker 1/2 HumbuckersControls 2 x volume, 2 x tone, 3-way toggle pickup switchHardware LockTone ABR Tune-O-Matic Bridge with Stopbar TailpieceFinish Metallic Gold, Heritage Cherry Sunburst, Vintage SunburstReasons to buy+Looks just like the real deal +Nice feeling neck+Pickups are surprisingly good Reasons to avoid-The thick finish can put some players off If you’ve been paying attention, you'll know that Epiphone has gone through a somewhat extensive revamp over the last couple of years, following in the footsteps of Gibson - literally. The new "inspired by Gibson" range takes the much-loved models from their American brethren and makes them more guitar may be the budget option, but it's still a Les Paul through and through. This Epiphone Les Paul features a mahogany body and mahogany neck with a long neck tenon. However, it does sport a maple veneer rather than the solid maple top found on the Nashville counterpart. A significant change for the new model is the Kalamazoo headstock - something Epiphone fans have been crying out for. Gone is the modified Gibson design, in favor of the original headstock that harkens back to Epiphone's past. So if you're looking for the best Les Paul, but you don't want to remortgage the house, this is an ideal option for you! Read our Epiphone Les Paul 50s Standard review Image credit Epiphone2. Epiphone Les Paul CustomThe budget option with a touch of class SpecificationsBody MahoganyNeck MahoganyScale EbonyFrets 22 Medium JumboPickups Epiphone ProBucker 2/3 HumbuckersControls 2 x volume, 2 x tone, 3-way toggle pickup switchHardware LockTone ABR Tune-O-Matic Bridge with Stopbar TailpieceFinish Alpine White, EbonyReasons to buy+Ebony fretboard+Slim neck +Who doesn't like the look of a Custom? Reasons to avoid-Some may consider it expensive for an Epiphone The Les Paul Custom has been a mainstay among rock royalty since it was introduced in 1954. It has been seen draped over the shoulder of Randy Rhoades, James Hetfield, Mick Mars, and of course, Les Paul himself. The Epiphone Les Paul Custom does a great job at re-creating this stunning guitar at a much more wallet-friendly price. The ever-popular 60s slim taper neck is adorned with a genuine ebony fingerboard and large block inlays, resulting in a guitar that plays as good as it looks. It also comes loaded with the Epiphone ProBucker 2/3 humbuckers, with era-appropriate wiring and CTS pots. So if you’re looking for an axe that is dripping with vintage mojo but at an accessible price, then look no further than the Epiphone Les Paul Custom. Image credit Gibson3. Gibson Les Paul Special Tribute Humbucker The back to basics, no-nonsense GibsonSpecificationsBody MahoganyNeck MapleScale RosewoodFrets 22 Medium JumboPickups 490R/490T HumbuckerControls 2 x volume, 2 x tone, 3-way toggle pickup switchHardware Compensated Wraparound BridgeFinish Vintage Cherry Satin, Worn White Satin, Ebony Satin, Natural Walnut SatinReasons to buy+Simple design+Comfortable neck +490T/R pickups Reasons to avoid-Compensated wraparound bridge not for everyone The Gibson Les Paul Special Tribute is a stripped-down rock 'n' roll machine at its heart. This guitar boils down the Les Paul to its most essential elements, making it the perfect option for the player who isn't looking for all the bells and whistles. This modern take on a vintage style Les Paul special comes loaded with the 490R and 490T open-coil humbuckers, which deliver a warm, punchy sound. This simple guitar strays even further from its vintage roots with the inclusion of a maple neck, which offers superb comfort and playability with its rounded edges, as well as added strength. We must say, the Les Paul Special Tribute offers tremendous value for money, giving you the ability to purchase an American-made Gibson guitar for under $/£1,000. If you're the type of player who likes a no-nonsense instrument built to melt faces, do yourself a favor and check this one out. Image credit Gibson 4. Gibson Les Paul StudioA reliable studio companionSpecificationsBody Mahogany/Maple TopNeck MahoganyScale RosewoodFrets 22 Medium JumboPickups 490R/498T HumbuckerControls 2 x Push/Pull Volumes Coil-Tap, 2 x Tone, 3-way toggle pickup switchHardware Aluminum Nashville Tune-O-Matic/ StopbarFinish Tangerine Burst, Wine Red, Smokehouse Burst, EbonyReasons to buy+Classic Les Paul tone+Nice finish options Reasons to avoid-We would rather have a case instead of a gig bag Originally conceived as a more affordable, basic version of the Standard, the Les Paul Studio has developed a reputation all of its own since its debut in 1983. The term "studio" comes from the idea that no one cares what your guitar looks like in the recording studio, it's what it sounds like that matters - and this bare-bones guitar sounds like a Les Paul! This simple electric guitar isn't just for the recording studio. Many notable players have used them on tour. You can often see Jade Puget of AFI or Frank Iero of My Chemical Romance putting these guitars through their paces on stages worldwide. The current iteration of the Studio features a rosewood fingerboard and slim taper mahogany neck and a mahogany body with the Ultra-Modern weight relief. The 490R and 498T humbucking pickups provide the high-output you want from a modern Les Paul, and the two push-pull pots offer a coil-tapping option, meaning this guitar is the perfect companion in the studio.Image credit Gibson 5. Gibson Les Paul JuniorThe student model turned punk iconSpecificationsBody MahoganyNeck MahoganyScale RosewoodFrets 22 Medium JumboPickups Dog Ear P-90Controls Volume, 1 Tone Hand-wired with Orange Drop CapacitorsHardware Nickel Wraparound BridgeFinish Vintage Tobacco Burst, EbonyReasons to buy+Classic P-90 tone+Pure simplicity +Comes with a hard-shell case Reasons to avoid-Fat 50’s neck not for everyone When Gibson released their new student model way back in 1954, they could never have imagined that not only would it still be around today, but that it would be a firm favorite of many punk and rock guitar players. This beautifully simple instrument has long been associated with hard-hitting players such as Billie Joe Armstrong of Green Day to Charlie Starr of Blackberry Smoke, and many others. Sometimes simple is better, and this guitar really is as simple as it gets. The single-cut mahogany body houses a solitary dogear P-90 pickup, single volume, and tone control, as well as a vintage-style nickel wraparound bridge. Don't let the lack of features fool you. This guitar certainly packs a punch, and backing off your tone or volume can get a wide range of sounds out of its limited set-up. Image credit Gibson 6. Gibson Les Paul Standard '60sThe Standard by which all others are measuredSpecificationsBody Mahogany/ AA Figured Maple TopNeck MahoganyScale RosewoodFrets 22 Medium JumboPickups Burstbucker 61R/61TControls 2 Volumes, 2 Tones & Toggle Switch Hand-wired with Orange Drop CapacitorsHardware Nickel ABR-1 Tune-O-MaticFinish Iced Tea, Bourbon Burst, UnburstReasons to buy+A joy to play +Stunning looks+Great sounding pickups Reasons to avoid-More finish options would be nice The Standard is Gibson's flagship Les Paul and arguably the most iconic. From its beautiful flame maple top, bound body, and mother of pearl Gibson logo to the throaty mid-range bite of its humbucking pickups, this guitar sounds just as good as it looks. The introduction of the original series saw Gibson go back to what made their guitars so legendary in the first place. No more robot tuners, PCB quick connect pots, or extra wide necks, just simple, elegant guitars. The Les Paul Standard 60's features a solid mahogany body with a stunning AA figured maple top and an incredibly playable slim taper 60's-style mahogany neck with a rosewood fingerboard and trapezoid inlays. The Gibson Les Paul Standard 60's is easily one of the best options if you’re looking for a new Les Paul. This guitar certainly impresses with its beautiful looks and killer tones. So, if you're unsure which is the best Les Paul to go for, you can't go wrong with a Les Paul Standard. Image credit Gibson 7. Gibson Les Paul Standard '50s P-90 Gold TopGibson is going for goldSpecificationsBody Mahogany/Maple TopNeck MahoganyScale RosewoodFrets 22 Medium JumboPickups 2x P-90Controls 2 Volumes, 2 Tones & Toggle Switch Hand-wired with Orange Drop CapacitorsHardware Nickel ABR-1 Tune-O-MaticFinish Gold TopReasons to buy+Who doesn’t love a gold top?+Tone for days Reasons to avoid-Avoid if you don’t like large necks First of all, how stunning is this Les Paul? This beautiful guitar pays homage to the LPs of the early '50s, without the insane price tag of an original vintage example. Like the 60's Standard, this guitar features a solid mahogany body with a maple top, but this time it comes with a larger 50's-style mahogany neck and a dual set of P-90 pickups. The sweet sound of these pickups is the result of the Alnico V magnets, audio taper potentiometers, and orange drop may not have the budget for an authentic vintage gold top, but you can still get the look and sound with the Gibson Les Paul Standard '50s P-90. Image credit Gibson 8. Gibson Les Paul ModernA modern take on a classicSpecificationsBody Mahogany/Maple TopNeck MahoganyScale EbonyFrets 22 Medium JumboPickups Burstbucker Pro Rhythm/LeadControls 2 Push/Pull Volumes Coil-Tap, 2 Push/Pull Tones Pure Bypass/Phase & Toggle SwitchHardware Aluminum Nashville Tune-O-MaticFinish Faded Pelham Blue Top, Sparkling Burgundy Top, Graphite TopReasons to buy+Modern contoured heel+Cool finish options Reasons to avoid-Traditionalists should avoid Gibson has always been cutting-edge, and the Les Paul Modern proves they are still innovating. This contemporary instrument is loaded with features that take the Les Paul into a new sonic place. This guitar is built for comfort and speed, and the ultra-modern weight relief means this instrument is no longer a back-breaker - read more on our favorite lightweight Les Paul alternatives. The contoured heel joint gives unprecedented access to the higher frets, and the asymmetrical neck profile and compound radius ebony fingerboard give this guitar an incredibly slinky feel, which is a joy to play - especially for fast playing or metal. So if you find yourself longing for a Les Paul with modern playability, then this is definitely the Gibson for you. Read our Gibson Les Paul Modern review Image credit Gibson 9. Gibson Custom Shop 1959 Les Paul Standard ReissueBag yourself a burst… for a fraction of the priceSpecificationsBody 1-Piece Lightweight Mahogany/ 2-Piece Figured Maple, Hide Glue FitNeck Solid MahoganyScale Indian Rosewood, Hide Glue FitFrets 22 Historic Medium-JumboPickups Custombucker Alnico III UnpottedControls 2 Volume/2 Tone CTS 500K Audio Taper Potentiometers, Paper-in-Oil CapacitorsHardware Nickel ABR-1Finish Washed Cherry Sunburst, Iced Tea Burst, Dirty LemonReasons to buy+A fantastic replica of a vintage '59+Most comfortable LP neck Reasons to avoid-The price may put a lot of players off -Avoid if you are looking for modern features Often referred to as the "holy grail" of electric guitar, the '59 Les Paul is one of the most coveted instruments of all time, with originals easily going for $/£100,000. These guitars were created during Gibson's golden era and have been the weapon of choice for so many rock gods, such as Slash, Jimmy Page, Joe Bonamassa, and Bernie Marsden. If you're anything like us, then you don't exactly have a spare 100k sitting around - and even if you did, there's no way you'd blow it on a single guitar - well, the next best thing would have to be the Gibson Custom Shop 1959 Les Paul Standard Reissue. The clever people over at the Gibson Custom Shop have meticulously recreated every detail of this priceless vintage guitar. From using lasers to scan the original dimensions, to the use of period correct hide glue, and even going as far as to recreate the plastics down to a molecular level, they really have tried to capture every detail of this rare guitar.Image credit Gibson10. Gibson Custom Shop 1957 Les Paul Goldtop Murphy Lab AgedA gold nugget from the golden era of guitarsSpecificationsBody 1-Piece Lightweight Mahogany/ 2-Piece Plain Maple, Hide Glue FitNeck Solid MahoganyScale Indian Rosewood, Hide Glue FitFrets 22 Historic Medium-JumboPickups Custombucker Alnico III UnpottedControls 2 Volume/2 Tone CTS 500K Audio Taper Potentiometers, Paper-in-Oil CapacitorsHardware Nickel ABR-1Finish Double Gold with Dark BackReasons to buy+Absolutely beautiful guitar+As close as you can get to a vintage '57 LP Reasons to avoid-Aged guitars aren’t for everyone If you thought the '59 was accurate to its vintage counterpart, then the Murphy Lab takes it to a whole new level. The brainchild of master builder and guitar aging pioneer Tom Murphy, the Murphy Lab has one goal - to make highly precise aged guitars indistinguishable from the originals. If you have ever been lucky enough to play an original gold top, you'll probably have noticed that the finish has cracked. This is referred to as "checking." This is a reasonably common phenomenon found on nitrocellulose finish guitars. The Murphy Lab has managed to expertly recreate the look and feel of this, bringing an air of authenticity to this Les Paul. Even the light aging around the headstock, and yellowing lacquer over the Gibson logo, make this guitar feel like a true vintage example. We’re well aware that this process isn't for everyone. Still, if you're looking for a custom shop guitar with an added level of detail, then it's worth looking at a Custom Shop Murphy Lab Les Paul. Best Gibson Les Pauls A brief historyImage credit FutureThe Gibson Les Paul has gone through many, many changes over the years. Quite frankly, we don't have time to go through every variation, so let's just discuss the most critical milestones in the evolution of the most famous single-cut guitar of all time. Making its debut in 1952, the "Les Paul Model" was the creation of Ted McCarty, John Huis, and Les Paul. Although there are varying stories about this, depending on who you ask… Some say Gibson had the final design before contacting Les, and some say Les came up with the design himself. We know that Les approached Gibson in 1941 with an idea for a solid-body guitar - The Log. Gibson, uninterested at the time, didn’t take Les up on his new invention. Fender would ultimately beat them to the punch with the release of the Broadcaster/Telecaster. In an attempt to catch up to their Californian rivals, Gibson needed a solid-body guitar, and they needed it fast. They would eventually team up with the seasoned inventor, and thus, the “Les Paul Model” was born. Beloved for their insanely good looks, unbeatable playability, and the definitive Les Paul tone, these guitars sell for upwards of $/£100, version of the Les Paul featured a trapeze tailpiece and a set of "soap bar" P-90 pickups. It was also gold - yes, that's right, the first Les Paul models were all Gold Tops. The classic sunburst finish didn't come into production until much later, but we’ll get to 1957 the Les Paul went through some significant changes. Now sporting a set of PAF patent applied for humbucker pickups and the far more recognizable Tune-O-Matic bridge and 1959, and 1960 would see the release of the "burst." A group of sunburst Les Paul's that would go on to be among the most sought-after guitars of all time. Beloved for their insanely good looks, unbeatable playability, and the definitive Les Paul tone, these guitars sell for upwards of $/£100, with guitars this good, the next few years must have been looking good for the Les Paul? No. It's unfathomable now, but these guitars really weren't that popular back in the day. The sales of the Gibson Les Paul had been steadily declining for years. Gibson needed to do something drastic to keep up with the rising popularity of the Fender Stratocaster. This led us to the Les Paul redesign - the SG. Although still bearing the Les Paul name, the guitar we now know as the SG would take on the mantle for the next few years. Gibson would later re-introduce the Les Paul in its single-cut glory in then, Gibson has been churning out an array of Les Pauls at differing price points, from various factories over the years, from Kalamazoo, Nashville, and Memphis. We could go on all day about the history of the Gibson Les Paul, but let's leave it there and move on to some buying Gibson Les Pauls Buying adviceVintage Gibson Les Paul Gold Top with finish checking Image credit FutureWe know that buying a Les Paul can be daunting. At the end of the day, these are expensive guitars, and you want to make the right choice. Don't worry, we have your back. Here, we will discuss a few things to bear in mind when purchasing your new Les Paul. Les Paul neck profiles You can trust Guitar World Our expert reviewers spend hours testing and comparing guitar products so you can choose the best for you. Find out more about how we you have been looking at Les Pauls for a while, you'll have noticed that Gibson offers different neck profiles. These range from the slim-taper 60's neck to the chunky 50's profile. There is no right or wrong neck for you. It really is a personal preference. Suppose you’re unsure which is suitable for you. In that case, we recommend sticking to the more universally loved '60s profile, as this fits most players' needs. If you’re looking at vintage reissue guitars, you won't get a choice, as they come with the neck profile that is correct for the era it's reissuing. Pickup choice Next, you need to find your sound, and this comes in the form of the pickups in your Les Paul. If you want to nail the searing classic rock tones, then seek out the PAF-style humbuckers. Perhaps you favor the bold attack of the P-90, then it's worth looking at a Les Paul Junior, Special, or '54 reissue. Gibson offers a few Les Paul's with a high-output pickup option for the modern player, perfect for bringing the house down with high-gain riffage. How much does a Gibson Les Paul weigh? It's no secret that the Les Paul is a heavy guitar, but don't worry if back problems are stopping you from getting the guitar of your dreams. Gibson has a few models in their extensive catalog that utilize the "ultra-modern weight-relief." This process is usually found on the "modern" series of instruments. It uses a series of small chambers to keep the weight down and make the guitar more manageable. If you’re a traditionalist, and this sounds like something you'd like to avoid, there are plenty of guitars on offer that come with zero weight relief. Looking after your Les Paul’s Nitrocellulose lacquer All Gibson guitars use nitrocellulose lacquer. Although great for allowing the guitar to "breathe" and aiding in the resonance of the instrument, this finish does have its drawbacks. The main point to remember is that it can react with rubber - especially the rubber on cheap guitar stands! This is called "stand rash" or "nitro-burn" and is basically a chemical reaction between the stand and the guitar. So if you’re looking to have your new prized possession on show, we highly recommend getting a nitro-safe guitar stand. The Hercules brand of stands is our go-to. It's also worth mentioning that dramatic temperature changes can have a detrimental effect on your guitar's shiny new finish, so keep the guitar at room temperature. If you're going from a cold environment to a warm one, then let the guitar acclimatize before opening the case. While you're at it, it's probably a good idea not to get your new guitar wet or feed it after midnight. So there you have it, that's our guide to the best Gibson Les Pauls on the market right now. There is only one last thing to do - crank your Marshall stack, plug in, and let rip! Read more about how how we test products and services and how we make our vs Gibson what's the difference?Check out the best cheap electric guitars under $500Bigger budget? Try the best electric guitars under $1,000Only the best good enough? Explore the best electric guitars under $2,000Complete your rig with the best guitar amps under $1,000Blow the budget with the best high-end electric guitars Thank you for reading 5 articles this month*Join now for unlimited accessUS pricing $ per month or $ per yearUK pricing £ per month or £ per year Europe pricing € per month or € per year *Read 5 free articles per month without a subscription Join now for unlimited accessPrices from £ All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox! First and foremost, I'm a guitar enthusiast – a fanatic, some might say. I'm a firm believer that most of the world's problems can be solved with a Gibson SG and a catastrophically loud amp. As Senior Deals Writer on Guitar World, I write about guitars for a living, but in a past life, I worked in music retail for 7 years, advising customers on the right guitars, basses, drums, pianos, and PA systems for their needs. I also have a passion for live sound; I'm a fully qualified sound engineer with experience working in various venues in Scotland, where I live with my wife and dog. Most Popular
For those who are interested I believe Ricochet posted this list for us back in June B Bohêmia Musico-Delicia Czech Republic BW ? China DW DaeWon China EA QingDao China EE QingDao China F/_ Fujigen Japan FN/N Fine Guitars Korea I Saein Korea J/T Terada Japan K Korea Ins. Korea L ? Korea MC Muse China N->see FN O Choice Korea P/R Peerless Korea S Samick Korea SI Samick Indonesia SJ SaeJun China SM Samil Korea SN ? Indonesia U Unsung Korea UC Unsung China China Z Zaozhuang Saehan China I don't think anyone has put it up lately for the newer members.
Home Gear Image credit Gibson Ever since the Late Fifties, when Gibson installed two humbucking pickups on the Les Paul Model electric guitar, gave it a sunburst finish and changed its name to the Gibson Les Paul Standard, the model has remained exactly that a standard. From the late Sixties and onwards Gibson has introduced a wide variety of variants of the Les Paul model like the Classic, Studio, Traditional and Tribute, but, as those names suggest, most of these models were designed to deliver a vintage-inspired vibe that evoked the original great as these retrograde models are and were, they didn’t offer a lot for players whose tastes and preferences are more in line with forward-looking refinements and innovations. With the introduction of the new Les Paul Modern model, Gibson has finally rectified that situation by offering a modified version of the beloved Les Paul with the versatile features, fast playability and contemporary styling many of today’s players prefer. If you’ve always loved the sound of a Gibson Les Paul, but found the model just a little too outdated, the Les Paul Modern is the version you’ve been waiting the exception of the gloss nitrocellulose lacquer Faded Pelham Blue, Sparkling Burgundy and Graphite finish options and clear Top Hat control knobs, the Les Paul Modern looks almost identical to Standard models and similar variations from the past, but closer examination reveals many more changes beyond its cosmetic appearance. Like the original Standard, the Modern is constructed with a mahogany neck and mahogany body with a maple slab top, but the body features Gibson’s "ultra-modern" weight relief that reduces the overall weight to nine pounds or less. For this model, Gibson has returned to using genuine ebony instead of the previous ebony substitute Richlite for the fretboard, which also features a 10-to 16-inch compound radius. The neck also features 22 medium jumbo frets and an asymmetrical slim profile that’s thicker and more curved at the bass strings, and thinner and flatter at the treble few notable changes have been made to the hardware as well. While the tuners have familiar-looking Kluson-style tulip-shaped or keystone buttons, they’re actually a set of locking Grover Rotomatics. The Nashville Tune-o-matic bridge and stopbar tailpiece are crafted from lightweight aluminum to enhance resonance and brightness. Electronics consist of a Burstbucker Pro Rhythm neck humbucker and a Burstbucker Pro + Lead bridge humbucker. Push/pull functions on all four control knobs greatly expand the available tonal options. The volume controls provide coil splitting for their corresponding pickups when pulled out; the neck tone control engages an out-of-phase setting when both pickups are engaged; and when the bridge tone control is pulled out, it instantly mainlines the bridge pickup only directly to the output, completely bypassing the settings of all of the volume and tone controls, and the pickup selector Gibson Les Paul Modern’s tone is 100 percent Les Paul, although the Burstbucker Pro pickups provide character that’s a touch brighter and more aggressive. The push/pull control knob functions exponentially expand the tonal palette of your Les Paul, with the coil-splitting functions providing the bark and bite of P90 single-coils and the phase switch delivering a wonderfully wah-like honking, hollow midrange with a multitude of variations when using both pickups and experimenting with various tone control settings. The bridge tone control’s bypass function is the real killer here, providing an instant balls-to-the-walls aggressive boost that’s ideal for leads that cut to the jugular vein. The Modern’s playability is fast and furious, with unrestricted access to the upper frets at last. Tuning stays rock solid, and with its updated makeover it looks pretty rockin’ PRICE $2,799 MANUFACTURER Gibson, Push/pull control knobs provide coil-splitting for P90-style single-coil tones, phase switching and a bypass function that hotwires the bridge pickup directly to the output.● The neck features numerous upgrades, including a genuine ebony fretboard with compound radius, slim asymmetrical profile and comfortable heel BOTTOM LINE The Gibson Les Paul Modern is a true modern update that delivers classic Les Paul sounds, a significantly expanded palette of tones and the fast playability that today’s players guitar gear to exploreThese are the best electric guitars available todayRaise hell with the best metal guitars for all budgetsThe best electric guitars under $2,000 for intermediate and pro playersFreshen up with the best electric guitar stringsJust getting started? These are the best beginner electric guitars Thank you for reading 5 articles this month*Join now for unlimited accessUS pricing $ per month or $ per yearUK pricing £ per month or £ per year Europe pricing € per month or € per year *Read 5 free articles per month without a subscription Join now for unlimited accessPrices from £ All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox! Chris is the co-author of Eruption - Conversations with Eddie Van Halen. He is a 40-year music industry veteran who started at Boardwalk Entertainment Joan Jett, Night Ranger and Roland US before becoming a guitar journalist in 1991. He has interviewed more than 600 artists, written more than 1,400 product reviews and contributed to Jeff Beck’s Beck 01 Hot Rods and Rock & Roll and Eric Clapton’s Six String Stories.
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